Friday, April 29, 2011

The National Gallery: 30 Highlight Paintings

Vincent van Gogh, "Sunflowers" (1888)

Vermeer, Seurat, Gainsborough, Rembrandt - the National Gallery in London presents this website with thirty "greatest hits" of their collection. Visitors to the site can zoom in on the details of any of the paintings, such as a close-up of Venus' elaborately braided hair in Sandro Botticelli's Venus and Mars, 1485, or get close enough to see the individual brushstrokes in Van Gogh's Sunflowers, 1888. Each painting is accompanied by commentary, for example, this version of Sunflowers is one of four that Van Gogh painted in 1888 (not counting several in other years), and "the various versions and replicas remain much debated among Van Gogh scholars."


More


Source: The Scout Report (April 29, 2011)


Sandro Botticelli,"Venus and Mars" (about 1485)

CLAUDE-OSCAR MONET, "BATHERS AT LA GRENOUILLERE" (1869)

Canaletto,"The Stonemason's Yard" (about 1725)

Paul Cézanne, "Les Grandes Baigneuses" (about 1894-1905)

Joseph Mallord William Turner, "The Fighting Temeraire" (1839)

Raphael,"La Madonna dei Garofani" (about 1506-7)

Michelangelo Merisi da Caravaggio, "The Supper at Emmaus" (1601)

Diego Velázquez, "The Rokeby Venus" (1647-51)


Georges Seurat,"Bathers at Asnières" (1884)

Saturday, April 23, 2011

A God's-Eye View of the World

Wall Street Journal
April 22, 2011

A wave of ambitious social-network experiments is underway in the U.S. and Europe to track our movements, probe our relationships and, ultimately, affect the individual choices we all make. WSJ's Robert Lee Hotz reports.

More

Friday, April 1, 2011

Your name, sir?

Stephen Fry and Hugh Laurie perform a hilarious short comedy sketch in a police station. A man making a statement has a surname that is pretty hard to pronounce! Watch this classic moment from the ground-breaking comedy sketch show A Bit of Fry and Laurie for free with BBC Worldwide.


Sunday, March 20, 2011

Bureaucracy

"036"

directed by Juan Fernando Andrés Parrilla and Esteban Roel García Vázquez
written by Andrea Gómez
cinematography by Ángel Amorós
music by Paco Martín

with Carolina Bang and Tomás del Estal

Only somebody brave, with a rebel soul, may enter the jungle of the outlaw and fight face to face against the most dangerous men at this side of the river...


More

Wednesday, March 16, 2011

Tuesday, February 15, 2011

Paul McCartney Wins Grammy for Helter Skelter

McCartney won for a rendition of the Beatles tune Helter Skelter, which he recorded for his 2009 live album "Good Evening New York City.".

Read more

Esperanza Spalding

Jazz bassist Esperanza Spalding has won the Best New Artist award at the Grammys.

Tuesday, February 1, 2011

The Welsh soprano Dame Margaret Price has died

Gramophone
January 29, 2011

Dame Margaret Price has died at her home near Cardigan in Wales aged 69. Her pure, warm, lyric soprano will always be associated with the music of Mozart, a composer whose music ran through her career like a thread. In 1962 she made her stage debut as Cherubino in Le nozze di Figaro for Welsh National Opera and, as a young singer at Covent Garden later that year, she took over the role from an ailing Teresa Berganza: her career took off overnight. Her first major recording was as Fiordiligi in Così fan tutte under Otto Klemperer (EMI). And she would go on to perform and record the roles of the Countess (Figaro), Pamina (Die Zauberflöte) and Donna Anna (Don Giovanni). She also sang the soprano part on Peter Schreier’s Gramophone Award-winning recording of the Requiem (a disc that had critic Robin Golding commenting that she sang the part “more beautifully than I can remember ever hearing it”).

Though her career took to the world’s great houses, her dislike of travel meant that she always preferred to make her base with a particular company, first Covent Garden, then the Cologne Opera and finally the Bavarian State Opera in Munich where she lived until her retirement in 1999.

Like many Mozart sopranos, Price also excelled in the music of Richard Strauss and her stage roles included Ariadne auf Naxos. Sadly, she never made a commercial recording of a work she was perfectly suited to, Strauss’s Four Last Songs (though she was due to record the work for CBS with Michael Tilson Thomas). She also included a number of Verdi roles in her repertoire and was a memorable Desdemona in Otello (the role with which she made her Met debut in 1985, and which she recorded twice – once with Solti for Decca and then with Alain Lombard for Forlane). She also sang Amelia (Un ballo in maschera – an opera she recorded alongside Pavarotti for Decca). The most surprising addition to her repertoire was on record as Isolde in the DG recording of Wagner’s opera under Carlos Kleiber, a conductor with whom she often worked.

More

Margaret Price




Sunday, January 30, 2011

Incredible Image: 24-hours shot from Greece’s Temple of Poseidon


TNW
January 28, 2011

After a moment of inspiration and hours of planning and preparation, photographer Chris Kotsiopoulos created this beautiful image portraying 24 hours, shot from Greece’s Temple of Poseidon, also known as Sounion promontory. It took him 12 hours to pull together and process a single image that included over 500 star trails, 35 shots of the Sun and 25 landscape pictures.

Waiting for a clear day, Kotsiopoulos shot the above image on December 30th-31st of 2010. He had to stay at the same place for approximately 30 hours, on location 2-3 hours before sunrise in order to make the preparations and test shooting and an extra 2-3 hours the second day so as to shoot part of the Sun’s sequence that he lost the first morning due to clouds.

In the morning, he took photos with his camera and tripod facing east. He captured dozens of shots throughout the day and night of the landscape from east to west, then west to east at night. He also took images of the Sun and Moon’s courses across the sky, from sunrise to sunset and to sunrise. Kotsiopoulos recorded the Sun’s position exactly every 15 minutes using an intervalometer, with an astrosolar filter adjusted to the camera lens. The “all-night” star trail shots lasted almost 11 hours. Finally, he took a series of night-to-day transition shots.

More

Friday, January 21, 2011

Weimar Cinema, 1919–1933: Daydreams and Nightmares

Variety. 1925. Germany. Directed by Ewald André Dupont
Museum of Modern Art (MoMA)
New York, USA

Organized in association with the Friedrich Wilhelm Murnau Foundation in Wiesbaden and in cooperation with the Deutsche Kinemathek in Berlin, this exhibition—the most extensive ever mounted in the United States of German films made between the world wars—includes seventy-five feature-length films and six shorts, along with a gallery exhibition of Weimar-era film posters and stills. The exhibition continues the tradition of Iris Barry, the world’s first curator of film and founding curator of MoMA’s Department of Film, who began adding German films to the collection in the mid-1930s and exhibited a deep commitment to this rich period of film culture throughout her career. Daydreams and Nightmares also builds upon the scholarly legacy of Siegfried Kracauer’s seminal 1947 book From Caligari to Hitler: A Psychological History of the German Film, which the émigré film and social critic wrote (at Barry’s invitation) at The Museum of Modern Art.

In addition to classic films by Fritz Lang, F. W. Murnau, and G. W. Pabst, among others, the exhibition includes many films, unseen for decades, that were restored after German reunification. The extensive program reaches beyond the standard view of Weimar cinema—which sees its tropes of madmen, evil geniuses, pagan forces, and schizophrenic behavior as dark harbingers of Hitler—by adding another perspective: that of the popular German cinema of the period. The development of Weimar cinema coincides with the coming of sound, and German filmmakers also excelled in the making of popular musicals, cabaret-type comedies, and dramas, shot outside the studio, that tackled social issues.

All silent films have piano accompaniment by Ben Model, Stuart Oderman, or Donald Sosin.

Tuesday, January 4, 2011

Orhan Pamuk: Finding an Authentic Voice

Conversations with History
University of California at Berkeley
Institute of International Studies
November 6, 2009


Conversations host Harry Kreisler welcomes Nobel laureate Orhan Pamuk. On the occasion of publication in the United States of his new novel, The Museum of Innocence, Pamuk reflects on his intellectual journey, including the influence of his parents, writers who shaped his world view, the "huzun" of Istanbul, writing, and recurring themes in his novels.

Orhan Pamuk

Tuesday, December 14, 2010

When Overlooked Art Turns Celebrity

New York Times
December 13, 2010

The painting was beautiful, just not admired. Then suddenly, after more than four centuries, it was. It acquired a pedigree. The art hadn’t changed, but its stature had.

And there it was the other day, propped on an easel in the Prado’s sunny, pristine conservation studio here, like a patient on the table in an operating theater. The most remarkable old master picture to have turned up in a long time revealed its every blemish and bruise, but also its virtues.

In September the Prado made news. It announced that this painting, “The Wine of St. Martin’s Day,” a panoramic canvas showing a mountain of revelers drinking the first wine of the season, and a few of them suffering its consequences, was by Pieter Bruegel the Elder.

Only 40-odd paintings by this 16th-century Flemish Renaissance master survive. This one, from around 1565, came from a private seller, whose ancient family, unaware and clearly unconcerned, had kept it for eons in the proverbial dark corridor, in Córdoba, where it accumulated dirt. Then the Prado conservators took a look. What seemed to be the artist’s signature turned up beneath layers of grime and varnish.

More

A detail of the painting, showing a peasant celebrating during a festival for the first wine of the season.

Vintage Photos from Robert McCabe's Trips to Greece in the 1950s

Rhodes 1954. This marble Aphrodite, in the museum in Rhodes, was found in the sea.
Huffington Post
December 12, 2010

Legendary photographer Robert A. McCabe has compiled what are, in essence, stunning photographic journals of Cuba and Antarctica, among other places.

McCabe also traveled as a Princeton undergraduate to Greece in June 1954, witnessing firsthand soaring unemployment (at the time of his visit, unemployment was hovering around 30%) and poor wages (those who did work were making a little less than a dollar a day). McCabe recalls in his introduction to his book, Greece: Images of an Enchanted Land, 1954-1965, how unspoiled the landscape of Greece felt before all the tourists and development starting happening, which has forever changed the landscape in Athens.

He traveled extensively through the Aegean after that, from 1954-1965, to document fully the experiences, people and places there (he was, in particular, interested in Greece's iconic architecture).

More

Sounion 1955. At the temple of Poseidon.

Epeiros 1961. Young friends.

Athens 1955. The Agora and the Acropolis from Observatory Road.

Athens 1955. Acropolis. The Propylaia from the Parthenon.

Athens 1955. The Caryatid Porch of the Erechtheion.
Serifos 1963. A church in Chora.

The Aegean 1954. On the bow of a caique.

Mykonos 1955. At a baptismal festival.